मेहर |MEHR
EBB & FLOW S/S 25
मेहर |MEHR
EBB & FLOW S/S 25
The Dynamic Sling
Fire in Motion, Grace in Form
Mehr is made to move. She is not static, not meant to sit still—she is a rhythm, a pulse, a companion to nights that stretch past the ordinary. From dancing beneath city lights to lingering over candlelit conversations, she shifts effortlessly through every moment, never out of step.
Her signature curve, present at both the base and along the flap, mirrors fluid movement, a shape that flows rather than resists. The clasp, sculpted in brass, takes the form of a tongue caught in fire’s motion—a flicker of intensity, a moment held in metal. At one side, rubies, asymmetrically placed, glow like embers catching the light.
Mehr is as intuitive as she is striking. Her flaps open from both sides, while the top unfolds seamlessly with a magnetic closure. Designed for motion, designed for ease, she is always in sync with the woman who carries her.
She does not stand still. She moves, and the world moves with her.
Mehr’s double-flap design ensures effortless access while preserving her sculptural grace. The brass clasp, shaped like a tongue caught in motion, glows with quiet intensity, rubies set in asymmetric placement capturing the flicker of fire.
The signature curve, present both at the base and along the flap, follows the natural rhythm of the body—never rigid, always flowing. Inside, MysoreMir Makhmal in Shakti Blue conceals an indulgence meant only for its keeper.
Mehr embodies the philosophy of Ebb & Flow—graceful yet unstoppable, structured yet fluid. The tongue-shaped clasp is a tribute to the wild and untamed force of fire, a flicker of movement captured in brass. The asymmetrical rubies evoke the unpredictable nature of embers—never uniform, always alive.
Her form is sculpted for motion, her flaps unfolding like open doors, inviting movement rather than resisting it. She is a rhythm, a shape in motion, a presence that lingers without ever pausing.
Mehr’s exterior is shaped in Kashmesh Komal, supple yet sculptural, designed to adapt with time. Her brass clasp, hammered and polished over 100 hours, captures the energy of a moment in movement. The rubies, scattered asymmetrically, reflect the randomness of fire—no two flames ever flickering the same way.
Inside, MysoreMir Makhmal in Shakti Blue forms a lining as deep and rich as the night. Her flaps, structured yet yielding, unfold like a rhythm in sync with the hands that hold her.
Mehr embodies the philosophy of Ebb & Flow—graceful yet unstoppable, structured yet fluid. The tongue-shaped clasp is a tribute to the wild and untamed force of fire, a flicker of movement captured in brass. The asymmetrical rubies evoke the unpredictable nature of embers—never uniform, always alive.
Her form is sculpted for motion, her flaps unfolding like open doors, inviting movement rather than resisting it. She is a rhythm, a shape in motion, a presence that lingers without ever pausing.
Mehr’s exterior is shaped in Kashmesh Komal, supple yet sculptural, designed to adapt with time. Her brass clasp, hammered and polished over 100 hours, captures the energy of a moment in movement. The rubies, scattered asymmetrically, reflect the randomness of fire—no two flames ever flickering the same way. Inside, MysoreMir Makhmal in Shakti Blue forms a lining as deep and rich as the night. Her flaps, structured yet yielding, unfold like a rhythm in sync with the hands that hold her.
The Alchemy of MEHR
Mehr moves with the rhythm of Ebb & Flow—never stagnant, never waiting. She is the flicker of fire in motion, the unpredictable glow of embers, the moment before movement becomes unstoppable.
Her clasp is an invocation of transformation—the tongue poised in fire’s path, the mark of a force that consumes, creates, and reignites. The rubies shimmer like the remnants of a flame, the last trace of heat before it vanishes into the night.
She is movement made tangible, an artefact of motion.
She is the dance, the pulse, the rhythm that does not stop.
Mehr belongs to the woman who never stays in one place for too long—who moves through life as if it were a dance, who knows that presence is not about standing still, but about the way she moves through the world.
